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JJ DOOM is the real 2012 attraction for this fan though, not least because Jarel’s production skills are among the best in the new school instrumental hip-hop game. It’s his second full-length of 2012 following Son of Yvonne, a collaboration with Masta Ace, released in June and on which Dumile handled production duties by digging around his cabinet of Special Herbs (again). DOOM’s here to promote Key To The Kuffs, his latest release on Lex Records and an album entirely produced by label mate Jneiro Jarel.
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With my laptop battery dying on its (non-Mac) backside, I scramble around the net for research and ideas beyond my own nerdish desires to question him on random things I care about. Maybe he’s really into rowing and decided to sack it all off.
Madvillainy album bugged in youtube musicc tv#
As I sit looking at a giant TV screening the Olympics I wonder if the allure of London’s 2012 sports extravaganza got the best of the masked super villain. It was never going to be a straight forward press day – this is, after all, a man who has been accused of sending masked substitutes to his own gigs. After all, the man is entering his third decade of activity as a producer and MC, a remarkable feat considering he never broke into the mainstream as others did, singling him out in hip-hop’s modern pantheon as uniquely as the mask that identifies him.ĭespite the promise that I would be on shortly after making it to the studios, 10 minutes of sitting around with no PR or DOOM make it clear that the rapper isn’t here yet. I’m sitting in the lobby of Red Bull Studios, having been drafted in at the last minute to cover FACT’s interview slot with larger than life hip-hop legend DOOM, a.k.a Daniel Dumile, and formerly MF DOOM (he dropped the MF in 2009). It’s lunchtime on a surprisingly hot August Friday afternoon in central London.